Tag Archives: Print

Hold Dear

Hold Dear is a group exhibition with friends and colleagues from the Print Studio DSA and held as a virtual exhibition for the Impact 12 Print Conference in Bristol, UK, 21-25 September 2022.

Each producing separate works, we then spent a weekend on Quarantine Island / Kamau Taurua, Ōtepoti, Dunedin, NZ to film the works for the virtual exhibition.

Kiri Mitchell, Is this seat taken, 2022, screenprint & drawing for paper stop motion film

Lynn Taylor, Graze, 2022, laser cut MDF for frottage, roller prints on Abaca paper, paper boats, digital prints

Marion Wassenaar, lifelines, 2022, laser and hand cut MDF woodcuts, handprinted on emergency blankets

lifelines installed in the historic married quarters building

Images in the slide show above are screen shots from the video footage used to produce the 3 minute video of the combined works. Below are film stills from the final production.

The Complete Entanglement of Everything

A group exhibition coinciding with the symposium Mapping the Anthropocene. Exhibition dates: 28 September ― 2 October, 2020 at the Dunedin School of Art, Ōtepoti Dunedin

Exhibition Curatorial Group: Bridie Lonie, Pam McKinlay, Marion Wassenaar. Exhibition catalogue can be viewed here

Image credit: Marion Wassenaar, Long Beach, 2020

Included in the exhibition were screenprinted multiples titled 1/1200 (after Duchamp) Take 3. These were posted up on the entrance ways to the school.

Marion Wassenaar 1/1200 (after Duchamp) Take 3, 2020, screenprint on paper

During the symposium my screenprinted paper towel intervention in the public toilets.

Marion Wassenaar Yeah Noah, 2020, screenprint on paper towel

Otakou Press Artist in Residence

To celebrate the 150 year anniversary of the University of Otago in 2019, Otakou Press connected with Lynn Jenner who compiled a number of letters to the editor of the Otago Daily Times written by Charles Brasch. As a significant figure associated with the University, Brasch’s letters raised many concerns, among them the architecture of the University’s buildings and the looming proposal for construction of the Aramoana aluminium smelter.

The letterpress publication was set and printed by Dr John Holmes and included relief printed illustrations in an edition of 100 copies. See the University article here, the ODT article here and a Dunedin City of Literature article here.

Printing 100 copies for publication
Working with Dr John Holmes, passionate letterpress printer

Care Ecology Suite

Custom Print Project collaboration with Madison Kelly

The ‘Care Ecology Suite’, 2018 is a series of six screenprints printed on Pescia fine art paper and produced in the Print Laboratory at the Dunedin School of Art. The suite consists of six drawings by Madison reproduced as screenprints using a double exposure on each. Each print is individually titled as: Takahē, Tui, Hoiho, Kōtare, Kea, Kererū.

I approached Dunedin School of Art graduate Madison Kelly in late 2017 regarding a custom print collaboration to help raise funds for the Wildlife Hospital. I knew that Madison was passionate about animals and shared my interest in wildlife preservation and environmental concerns. Madison’s art practice increasingly adopts ephemeral outcomes as temporary wall drawings. I saw this collaboration as an opportunity to document Madison’s drawing style while at the same time offering funding support to a worthy cause.

Over the course of the year, Madison visited the wildlife hospital and several rehabilitation sites in the area. In her visits, she examined textures, equipment, and spaces that defined the patients’ time at each location. Resulting drawings present hypothetical spaces of care, formed using the visual cues of blankets, wiring, tubes, containers, and wild habitats. The drawings aim to suggest an ecology of care in both artificial healing spaces and the original habitats patients are eventually returned to. Madison’s constructed ‘habitats’ were then constructed into positives for screenprinting. The limited edition screenprints incorporate the outlines of six different species, double exposed into each of the six prints in the series. Two prints, Takahē, and Kea, include a second colour in an attempt to acknowledge the level of care and healing undertaken by the vet nursing staff at the Dunedin Wildlife Hospital.

All proceeds from the sale of this print/series go to the Wildlife Hospital.

Our thanks to Otago Polytechnic for funding support for materials.

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Impact 10 Print Conference

ENCUENTRO / ENCOUNTER Impact 10

Santander, Spain,  September 1st to 9th, 2018

It was certainly a wonderful encounter with a beautiful city, a large contingent of passionate print enthusiasts and a host of exciting venues, events, galleries, beaches and Cantabrian sunshine! Thanks to the wonderful organisers at SM Pro Art Circle.

I felt privileged to exhibit my burnt, compacted book, ‘Dreamwork’, at MUPAC, The Museum of Prehistory and Archaeology and I presented a paper on the projects undertaken in the Print Lab. I also submitted a print for the Mini Print Biennial at Centro de Arte Faro Cabo Mayor, the local lighthouse.

 

The Print Laboratory welcomes: The News Network

Invitation_TNNTheNewsNetwork_ForresterGallery

It was fantastic to be a part of The News Network group exhibition at the Forrester Gallery, Oamaru. The exhibition included custom prints produced in the Print Laboratory by Kipp, Maisie and BaT & Emboss as a fundraiser for the Forrester gallery. The prints are a response to the ornamental plaster ceiling rose in the main gallery.

Artists in the exhibition: Alison Alder, Marian Crawford, BaT & Emboss, Neil Emmerson, Richard Harding, Steve Lovett, Trent Walter and Marion Wassenaar.

 

mise en place

Mise en Place invite

mise en place is a joint exhibition with Kiri Mitchell that looks at the roles of women in the kitchen.

The Kitchen Drawer series, 2017
This work pays tribute to my mother for her dedication to provide daily meals on the table. With limited electric gadgets available during that time, this work acknowledges the labour of love involved in food preparation. I hope that, in her old age, she gets the quality of care she deserves. The Kitchen Drawer series is a response to concerns for the care of our aging population in light of decreasing funding and standards of food quality in the public health system.

kd8

Art & Future exhibition

Art and Future: Energy, Climate, Cultures. An exhibition coinciding with the Art & Future symposium. Dunedin School of Art gallery, 10 – 21 October 2016

On opening night 13 October, 2016, I used a GoPro camera mounted above the posters alongside the projector to record the disappearance of the coal sack prints from the stack. The video captured some great footage so now for the post production! I’m hoping to use the edited video in an exhibition in the near future.