Weapons culture 2015, screenprint on Tiepolo and charcoal in etched glass reagent bottle
This work consists of two parts. The book, ‘The Weapons Culture’ by physicist Ralph E Lapp published in 1968, utilised in this work traces the rise of weapons culture and its domination on American society. I employ the burnt book in my art practice in a transformation that exposes the materiality of the physical, organic form to engage in altered perceptions of the frame in which the book was set. The process of transformation involves pyrolysis which reduces the book to an almost pure carbon state which is ground as charcoal and stored in the reagent bottle. A portion of charcoal pigment from the book is crushed into a paste based ink to screenprint a summary of expenditure per capita that reveals the contrast between military expenditure and arts funding. This information was sourced via the internet from the Stockholm International Peace Research Institute and the American National Endowment for the Arts and is cited at the base of the print.
The work was submitted as part of a group show at the H D Skinner Annex, Otago Museum to support the Art + Design Symposium held at the Dunedin School of Art 16-17 October 2015
Showing alongside this work was a print collaboration, UGANDA, produced by Neil Emmerson and me.
A network of trans-Tasman artists have come together on a residency in association with the Plab to hold an exhibition of printmedia and fine art prints related to politics and current events at the Dunedin School of Art.
An exhibition celebrating the Unesco Year of Light 2015 that brings together scientists from the University of Otago and artists through the Dunedin School of Art. Kiri Mitchell and I teamed up with Janice Lord from the Botany Dept who specialises in night time pollinators in the Subantarctic Islands. We collaborated with braille transcribers Dave Allen and Paula Waby to produce an artists’ book of Dada poetry and the labels for the works in the show.
14 – 30 August at the H D Skinner Annex, Otago Museum.
The OUSA Art Week saw the ‘Salon des femmes’ make an appearance at the Red Thread Gallery on 6 August, 2015. My work for this pop up show was documentation of an intervention at the art school a few weeks earlier on the day of a seminar on art and climate change. Printed paper towels with subtle messages about climate change were inserted into the paper towel dispensers in all the DSA public toilets.
My work ‘Angel as Greek tragedy’ (after Klee)’, screenprint, was accepted for the Otago Art Society’s Edinburgh Art Awards. 1-30 August, 2015
Shift work is my first solo show at Inge Doesburg Gallery + Studio. The show features my series of reduction linocuts on the Dunedin Gasworks completed in 2013 and a new series of three monoprints that also reflect on the social history of Dunedin’s workforce.
A group show with the Salon des Femmes in association with the Dunedin Fringe Festival 2015 at Mint Gallery, Moray Place, Dunedin from the 6th – 19th March. Each artist responded to the notion of ‘shadow self’ taken from the essay ‘Professions for Women’ by Virginia Woolf.
[Heading Nowhere] in a Navy Blue Suit,
[Heading nowhere] in a Navy Blue Suit (detail)
screenprints on Somerset Velvet paper, 28x76cm
The title is from an essay by Sue Kedgley that refers to women’s failed attempt to fit into a male corporate world. The shadow self is seen as what we deem to unconsciously deny in ourselves yet there are many women in history who have stood their ground. I recall playing dress ups as a young girl. Whether idolising screen stars or venerating the prowess of women through a myriad of media images, the notion of ‘dressing up’ allows the freedom to slip into anecdotes of the imagination and ultimately this affects our future. There are many legendary women that impact on our lives. Who has influenced yours?
Installation view with post it notes honouring women that have influenced the lives of the audience
Installation view from the opposite direction with images of myself ‘dressing-up’
The book morgue
An exhibition of the book as art object curated by Michaela and Olivia (2nd year students from the Print Studio aka P Lab) at Dutybound bookbindery, Dunedin, October 2014. The show coincides with the Art+Book symposium and the Otago Arts Festival. It was great to see so many people about on the day of the Dunedin Street Art Festival. My work, Dreamwork, also featured in the exhibition.
Following four highly successful symposia held at the Dunedin School of Art – ‘Illustrating the Unseeable: Reconnecting Art and Science’ (2009), ‘Art and Law’ (2010) ‘Art and Medicine’ (2011), and ‘Art and Food’ (2012) – the Dunedin School of Art and Brandbach organised a further Symposium, ‘Art and Money’, in August 2013.
The symposium included an exhibition at the Dunedin School of Art gallery.
Installation view ‘Art & Money’ with works by Pamela Brown and Kerry McKay (foreground), Blair Kennedy and Andrea McSweeney, Marion Wassenaar, and Andrew Hurle
Withdrawn includes a digital reproduction taken from the original dust jacket of a retired library book. The hand written text below the image shows a summary of expenditure per capita that reveals the contrast between military expenditure and arts funding.
World military expenditure in 2012 is estimated to have been $249 per capita. Comparison of funding per capita by selected arts Councils and agencies: Arts Council of Wales, $17.80, 2012/2013; Arts Council of England, $13.54, 2010; Australian Council, $8.16, 2010/2011; Creative New Zealand, $2.98, 2009/2010; National Endowment for the Arts USA, $0.47, 2012
On a shelf, directly beneath the image, sits the the library book reduced to a carbon shell.
Withdrawn, 2013, ex library book and digital print, book size 13 x 22 x 14 cm, digital print 39 x 61 cm
Group show of artist and scientist collaborations
The Brain Health Centre, Hunter Centre, University of Otago, Dunedin – 22 July – 9 August 2013
A collaboration along with scientist Dr Lucia Schoderbock and artist Kristin Peren
Baby’s first steps…or the scent of jonquils as a harbinger of spring… these are memories we treasure in life that connect our past to the present and define our identity. But what happens when memories fade – seized through brain injury or disease and get frozen in time? Both Kristin and Marion grew up in a period when family slide shows were a nostalgic reminder of days gone by. The Slide series revisions the slide format with manipulated images sourced from Lucia’s research on adult neurogenesis in memory formation and retrieval.
Our senses were filled with wonder, free to wander, to imagine.
Slide 4 in mount
Images 46 x 69cm digitally printed on Hahnemeule paper. Edition of five. Framed 100 x 100 cm
Lucia gave us the opportunity to photograph her laboratory slides through the microscope. These images relate to her research on the rescue of memory after brain injury. The encounter was both insightful and hopeful. This was a fascinating and surreal experience resulting in a printed series of manipulated images.
A detail of Lucia’s slide showing neurons in the brain
See the EyeContact review.