Tag Archives: Exhibition

NZPPA2024

I was honoured to be selected as a finalist for the NZ Painting & Printmaking Awards 2024 by guest judges Marian Maguire and Kura Te Waru-Rewiri. The awards and exhibition were run by the Waikato Society of Arts and held at artspost galleries, Kirikiriroa Hamilton.

The work, Idyll / Idle, a seven colour screenprint on found vintage wallpaper, incorporates port activity from my local Port Chalmers during the busy cruise ship season. There were two cruise ships in Port that day but by the time I got there one had already sailed to be replaced by the container boat. The work also includes experimentation with Photoshop AI generation to incorporate refugee boats in the lower repeat of the wallpaper. The AI generation took into account the existing background style and helped me understand and be informed on the impact and power AI can have in image manipulation.

Idyll / Idle (detail), 2024, seven colour screenprint on found vintage wallpaper

VI International Mini Print Cantabria

It was wonderful to be involved in this mini print exhibition again, having taken part in the first one in 2018. This year there were 329 artists from 50 countries in the exhibition. Congratulations to SM Pro Art Circle and the judges for the tremendous work and organisation in bringing this exhibition to fruition. Congratulations to all the artists involved and to the winners, well done! I was thrilled to get a 3rd mention for my work Waipapa Point I.

Hold Dear

Hold Dear is a group exhibition with friends and colleagues from the Print Studio DSA and held as a virtual exhibition for the Impact 12 Print Conference in Bristol, UK, 21-25 September 2022.

Each producing separate works, we then spent a weekend on Quarantine Island / Kamau Taurua, Ōtepoti, Dunedin, NZ to film the works for the virtual exhibition.

Kiri Mitchell, Is this seat taken, 2022, screenprint & drawing for paper stop motion film

Lynn Taylor, Graze, 2022, laser cut MDF for frottage, roller prints on Abaca paper, paper boats, digital prints

Marion Wassenaar, lifelines, 2022, laser and hand cut MDF woodcuts, handprinted on emergency blankets

lifelines installed in the historic married quarters building

Images in the slide show above are screen shots from the video footage used to produce the 3 minute video of the combined works. Below are film stills from the final production.

Parkin Drawing Prize 2021

I was very excited to receive a Merit Award in the 2021 Parkin Drawing Prize.

Congratulations to Mark Braunias on his tremendous win.

 Mark Braunias’ winning work “In Search of the Saccharine Underground” in the right foreground

My thanks to the judge and selection panel, and to the curator and team at the NZ Academy of Fine Arts.

Installation view

Diamond Mine

Exhibition at RDS Gallery 19 March – 10 April 2021

I had the wonderful opportunity to exhibit my works at RDS Gallery. Thanks to Hilary Radner for having me, to Bridie Lonie and Hilary for the essays in the catalogue, to Chris Collins from Gray’s Studio for the beautiful, albeit challenging framing (charcoal works are never easy) and to Phillip Madill for help with the install.

Thanks too to Robyn Maree Pickens for the ODT review.

The install is complete. RDS Gallery opposite Ōtepoti Dunedin’s iconic railway station.

Meanwhile, my experimentation with, and love of, the carbonization process continues…..

The Complete Entanglement of Everything

A group exhibition coinciding with the symposium Mapping the Anthropocene. Exhibition dates: 28 September ― 2 October, 2020 at the Dunedin School of Art, Ōtepoti Dunedin

Exhibition Curatorial Group: Bridie Lonie, Pam McKinlay, Marion Wassenaar. Exhibition catalogue can be viewed here

Image credit: Marion Wassenaar, Long Beach, 2020

Included in the exhibition were screenprinted multiples titled 1/1200 (after Duchamp) Take 3. These were posted up on the entrance ways to the school.

Marion Wassenaar 1/1200 (after Duchamp) Take 3, 2020, screenprint on paper

During the symposium my screenprinted paper towel intervention in the public toilets.

Marion Wassenaar Yeah Noah, 2020, screenprint on paper towel

Parkin Drawing Prize

It was such a privilege to be announced a finalist in the 2019 Parkin Drawing Prize and to be showing my work with friends and colleagues from the Dunedin School of Art. Congratulations to all the finalists and the winners.

I was lucky enough to attend the opening and was very impressed with the install and curation of the wide variety of works on display.

 

The Anatomy of Plants

The Brendel anatomical model collection housed in the Department of Botany at the University of Otago comprises thirty-six specimens. They were procured for the university in the late 1800s by T.J. Parker (1850-97), the first Professor of Biology. The collection is still in use today as a teaching aid in the anatomical and morphological study and classification of plant life. The finely detailed and accurate models are larger than life-size ranging in scale from two times to fifteen hundred times magnification with many of the models modular in order to study their internal botanical structure.

An email request from Janice Lord at the Department of Botany sparked interest in the cataloguing and documentation of the Brendel models housed in the department’s laboratory classrooms. This provided me with the opportunity to not only catalogue but also realise an exhibition outcome to expose the beauty and complexity of the Brendel models to a wider audience through my photographic documentation.

The intricate models are made from papier mâché, with other materials such as wood, cotton, rattan, pulp cane, glass beads, feathers and gelatine. The models are hand painted with oil paint to replicate their natural colours. Their robust nature and ability to withstand damage enables handling in a class setting.

08 111 IMG_1350 salvia

#111 Salvia officinalis, Common Sage

Photographic prints on Moab Slickrock paper plus a catalogue were on display at Inge Doesburg Gallery, Dunedin, 1 – 22 June 2019. A review by James Dignan appeared in the ODT.