mise en place is a joint exhibition with Kiri Mitchell that looks at the roles of women in the kitchen.
The Kitchen Drawer series, 2017
This work pays tribute to my mother for her dedication to provide daily meals on the table. With limited electric gadgets available during that time, this work acknowledges the labour of love involved in food preparation. I hope that, in her old age, she gets the quality of care she deserves. The Kitchen Drawer series is a response to concerns for the care of our aging population in light of decreasing funding and standards of food quality in the public health system.
A memorable event and great to be a part of! X Rated May 2017.
Art and Future: Energy, Climate, Cultures. An exhibition coinciding with the Art & Future symposium. Dunedin School of Art gallery, 10 – 21 October 2016
On opening night 13 October, 2016, I used a GoPro camera mounted above the posters alongside the projector to record the disappearance of the coal sack prints from the stack. The video captured some great footage so now for the post production! I’m hoping to use the edited video in an exhibition in the near future.
Embarking on a ten day residency in Melbourne was a fast and furious campaign to produce a series of screenprints in the RMIT print studio in a collaboration with Neil Emmerson. I was invited to participate in the Print Imaging Practice Residency as a member of The News Network during July 2016. This is a trans-Tasman nine member collaborative visual arts community, established in response to the spectre of Global Media. The RMIT Lightscape exhibition, BROADCAST, taking place during the residency proclaims a mixture of political and personal positions through images from the news and current affairs.
I was fortunate to have Neil’s local knowledge to guide me through the busy city. Trams moved us around with ease provided you delay morning departure until after 9am. The Real Australians Say Welcome street poster campaign by artist Peter Drew certainly drew my attention to immigration and the rich cultural diversity Melbourne has to offer. My brief sojourn did allow me to savor the delights of the Victoria Markets, see firsthand the Lightscape installation in the outdoor lightboxes and roam the dynamic array of galleries and shops in Fitzroy. All too soon my inspiring stay was over, but I will be back there again in the near future I hope. Oh, and the prints from the residency are a work in progress with results to follow soon!
Real Australians Say Welcome by Peter Drew
Weapons culture 2015, screenprint on Tiepolo and charcoal in etched glass reagent bottle
This work consists of two parts. The book, ‘The Weapons Culture’ by physicist Ralph E Lapp published in 1968, utilised in this work traces the rise of weapons culture and its domination on American society. I employ the burnt book in my art practice in a transformation that exposes the materiality of the physical, organic form to engage in altered perceptions of the frame in which the book was set. The process of transformation involves pyrolysis which reduces the book to an almost pure carbon state which is ground as charcoal and stored in the reagent bottle. A portion of charcoal pigment from the book is crushed into a paste based ink to screenprint a summary of expenditure per capita that reveals the contrast between military expenditure and arts funding. This information was sourced via the internet from the Stockholm International Peace Research Institute and the American National Endowment for the Arts and is cited at the base of the print.
The work was submitted as part of a group show at the H D Skinner Annex, Otago Museum to support the Art + Design Symposium held at the Dunedin School of Art 16-17 October 2015
Showing alongside this work was a print collaboration, UGANDA, produced by Neil Emmerson and me.
A network of trans-Tasman artists have come together on a residency in association with the Plab to hold an exhibition of printmedia and fine art prints related to politics and current events at the Dunedin School of Art.
An exhibition celebrating the Unesco Year of Light 2015 that brings together scientists from the University of Otago and artists through the Dunedin School of Art. Kiri Mitchell and I teamed up with Janice Lord from the Botany Dept who specialises in night time pollinators in the Subantarctic Islands. We collaborated with braille transcribers Dave Allen and Paula Waby to produce an artists’ book of Dada poetry and the labels for the works in the show.
14 – 30 August at the H D Skinner Annex, Otago Museum.