Curriculum Vitae

Qualifications

2020 Postgraduate Diploma in Museum Studies (Distinction) – Massey University

2017 Graduate Diploma in Tertiary Education – Otago Polytechnic

2013 Master of Fine Arts (Distinction) – Dunedin School of Art

2010 Bachelor of Visual Arts (Honours) – Dunedin School of Art

Solo Exhibitions

2021 Diamond Mine, RDS Gallery, 19 March – 10 April

2019 The Anatomy of Plants, The Brendel Model Collection, Inge Doesburg Gallery, 1 – 22 June

2015 ‘Shift Work’ monoprints and linocuts at Inge Doesburg Gallery + Studio 27 March – 11 April

2013 Carbon Black, MFA show, Dunedin Gasworks Museum & DSA Gallery, Dunedin School of Art

Selected Group Exhibitions

2023 Futile Threads, ‘Self-directed’ staff exhibition, Dunedin School of Art Gallery, 18-22 September

2023 Waipapa Point I, II, III, International Mini Print Cantabria, VI Edition – 2023, Faro Cabo Mayor Art Center, Santander, Spain. Exhibition: September 1 to December 31

2022 lifelines, Hold Dear, Impact 12 Print Conference in Bristol, UK, 21-25 September

2021 Carbon Shroud, Parkin Drawing Prize finalist, NZAFA, Wellington, 3-29 August

2021 Casting the Net, Estuary Art and Ecology Prize exhibition of 23 finalists. Malcolm Smith Gallery, UXBRIDGE Arts & Culture, Howick, Auckland 3 July – 28 August

2020 1/1200 (after Duchamp) Take 3, in The Complete Entanglement of Everything, Dunedin School of Art, 28 September – 2 October

2019 Carbon Remains, Parkin Drawing Prize Finalist, NZ Academy of Fine Arts, Wellington. 6 August – 8 September

2018 Dreamwork, Museo de Prehistoria y Arqueología – MUPAC, Santander, Spain. IMPACT 10 Encuentro International Print Conference Group Exhibition 1-9 September

2018 Unplugged, Estuary Art and Ecology Prize exhibition of 19 finalists. Malcolm Smith Gallery, UXBRIDGE Arts & Culture, Howick, Auckland 9 July – 19 August

2018 1/1200 Let’s Do This, in ‘The Print Laboratory welcomes: The News Network #2’, Forrester Gallery, 21 April – 4 June

2018 1/1200 Let’s Do This ‘TNNP The News Network Project’ group exhibition at c3 Contemporary Art Space, Abbotsford Convent, Melbourne 11 April – 6 May

2017 The Kitchen Drawer Series, ‘mise en place’ joint exhibition with Kiri Mitchell at Robert Piggott Art Gallery 16 – 26 September

2017 1/1200 Take Two ‘X Rated’ Print alumni, staff and student exhibition. DSA Gallery 1-12 May

2017 Coaster Trading II ‘Ways of Seeing – vale John Berger’ staff show, Dunedin School of Art Gallery

2016 1/1200 Take 1 (after Duchamp) group exhibition in association with the Art & Future Symposium, Dunedin School of Art, 10 – 21 October

2016 Broadcast – The News Network group exhibition  LIGHTSCAPES RODDA LANE AND LIGHTWELL, RMIT, Melbourne, 21 June – 31 October

2015 Weapons Culture – Group exhibition in association with the Art & Design Symposium, Dunedin School of Art, H D Skinner Annex, Otago Museum, 13 – 20 October

2015 glistens with nectar  – artists’ book publication in collaboration with Kiri Mitchell, Janice Lord, Dave Allen and Paula Waby for Art and Light (celebrating Unesco Year of Light) at the H D Skinner Annex, Otago Museum 15 – 30 August

2015 Climate Change ‘Salon des femmes’ group pop up show for OUSA Art week 6 August at Red Thread Gallery

2015 Slide ‘Smashed: The Human Brain on Booze’ Group exhibition in conjunction with symposium, Hutton Theatre, Otago Museum 21-22 March

2015 [Heading nowhere] in a Navy Blue Suit ‘Shadow Self’ Salon des femmes group exhibition, Mint Gallery, Dunedin 6 – 19 March

Papers

2018 Partnership, Participation and Protection. A Print Studio in Aotearoa, New Zealand. Impact10 International Print Conference 4 – 9 September, Santander, Spain

2014 The Burnt Book as Art Object – A Remedial Reading Art and Book Symposium

Publications

2023 Look Under the Leaves, Scope Art & Design 24

2023 Carbon Transit, Art + Reading, Evolve, Issue 3, Arts + Letters Press.

2022 Rough Diamonds, The California Printmaker: Metamorphosis, Printing Under Pressure, California Society of Printmakers.

2019 Encounters: Reflecting on the Trajectory of an Art Object. Scope Art & Design 18

2017 Participating in Communities of Practice, Scope Art & Design 13

2016 The Burnt Book as Art Object: A Remedial Reading Art and Book. Cambridge Scholars Chapter Four, p 71

2015 glistens with nectar with Janice Lord and Dave Allen. Junctures No. 9 December 2013-2015

2015 UGANDA (After Alfredo Jaar) 2014 Scope Art & Design 11

2015 Custom Service – A Print Collaboration with Kushana Bush. Scope Art & Design 11

2014 Slide with Kristin Peren and Lucia Schoderbock. Art and Neuroscience collaboration. Scope Art & Design 9 p110

2013 Carbon Black Thesis submitted in partial submission of MFA exam

Awards

2023 Waipapa Point I, VI International Mini Print Cantabria, VI Edition – 2023, Faro Cabo Mayor Art Center, Santander, Spain. 3rd Mention

2022 Otago Polytechnic Staff Excellence Awards – ‘Our People Make a Better World’

2021 Carbon Shroud, Parkin Drawing Prize, Merit award

2018 Estuary Art and Ecology Prize – 1st place

2016 Otago Polytechnic Staff Excellence Awards – Emerging Researcher

2012 Evolve Art Award – 1st place

2009 Recognition of Achievement in Print, Dunedin School of Art

Residency

2024 Lancaster Press residency 18 – 28 April, Coral Coast, Fiji

2023 BigCi 4 week artist residency 15 February – 14 March, Bilpin, NSW, Australia

2019 Otakou Press artist in residence for the publication Charles Brasch, Letters to the Otago Daily Times.

2016 News Network residency in the Print Imaging Practice Studio @ RMIT, Melbourne

Custom Printing

2022 Dunedin Public Art Gallery, 12 custom prints for Jasmina Cibic, Charm Offensive, October 2022 – February 2023

2018 Forrester Gallery Fundraiser, Custom Prints: With students Kipp Richards and Maisie Robinson, and Neil Emmerson

2018 Care Ecology Suite – Madison Kelly, set of six screenprints (Fundraiser for the Dunedin Wildlife Hospital)

2016 Yellow Mask – Graham Fletcher, screenprints: En Print

2014 Night Thoughts & The Life Raft – Kushana Bush, screenprints: En Print

2013 The Drawing Room – Kiri Mitchell, etching portfolio: Print Laboratory

2011 Series of seven prints, seven DSA lecturers – Print Laboratory & DSA collaboration

Selected Curation

2023 Art in Law XX – A Body of Evidence, Linda Cook, April – November

2021 Art in Law XVIII – Lawyers Love and Live in Abstraction, Patricia Bennett, Michael Greaves, Miranda Joseph, Alexandra Kennedy, Thomas Lord and Blair Thomson, February – November

2020 The Complete Entanglement of Everything (exhibition curatorial group with Bridie Lonie & Pam McKinlay)

2020 Timetable (abridged), Dunedin School of Art Gallery 14 – 18 September

2019 Art in Law XVII – Floor Talk – Works from the Otago Polytechnic Art Collection in celebration of the University of Otago’s 150th celebration July 2019 – November 2020

2016 Art in Law XVI – Animal Advocates – Rachel H Allan, Daniel Bloxham, Steph Cossens & Jackie Milford, 20 July – 11 November

2016 Art in Law XV – Ocular Itinerary – Hannah Joynt, Sue Pearce & Greg Thomas, 31 March – 17 June

Selected Workshops

2017 Screenprint workshop – DSA in association with the Dunedin Public Art Gallery for the exhibition Kushana Bush – The Burning Hours

2015 Screenprint workshop – DSA in association with the Dunedin Public Art Gallery for the exhibition Private Utopia

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